| 000 | 01646nam a2200217 4500 | ||
|---|---|---|---|
| 001 | 6320 | ||
| 090 | _a6320 | ||
| 099 | _tBROCH | ||
| 100 | _a20241101d u||y0frey5050 ba | ||
| 101 | _aeng | ||
| 102 | _aZA | ||
| 200 |
_aSoft Vxnxs _bBROCH _e[Exhibition at Zeitz MOCAA, Cape Town, From February 15, 2022 until July 10, 2022] _fGoldendean _gcurated by Simon(e), van Saarloos |
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| 210 |
_aAfrique du Sud _cZeitz MOCAA _d2022 |
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| 215 |
_cCouv.Coul. _d21x15 |
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| 330 | _aSoft Vxnxs is a large-scale, inflatable sculpture installation by South African artist Goldendean, presented in the Zeitz MOCAA Atrium Bowl. By inviting museum visitors to touch or embrace the work, the artist, as a ‘Fat Queer White Trans body’ in the context of South Africa, questions who or what is entitled to take up space. In doing so, they address the personal and political of hypervisibility: being visible (as a fat, queer, white, trans body) and invisible, unimportant at the same time (as a fat, queer, white, trans body). Hutton calls their Tenderqueer sculptures ‘soft-radicals’. They are round, soft, flexible, and inviting. Society expects fat and messy bodies to turn up traumatized and out of breath and never cheerful, horny, or beaming with political speech. In response, Soft Vxnxs creates comfort and space for vulnerability. | ||
| 600 |
_aGoldendean _913548 |
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| 606 |
_aContemporary Art _xsculpture _xinstallation _xinflatable _xspace _xhypervisibility _xqueer _xtrans _xround _xfat _xsoft _xflexible _xpolitical _ySouth Africa _z2022 _913549 |
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| 676 | _aBR GOL 2022 | ||
| 700 |
_4040 _aGoldendean _913548 |
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| 801 |
_aTN _b32Bis _cYYYYMMDD _gAFNOR |
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| 830 | _aABA | ||