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099 | _tBROCH | ||
100 | _a20241101d u||y0frey5050 ba | ||
101 | _aeng | ||
102 | _aZA | ||
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_a‘Not Working (Working Title)’ _bBROCH _e[Exhibition at Zeitz MOCAA, Cape Town, From October 20, 2022 until May 28, 2023] _fIgshaan Adams |
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210 |
_aAfrique du Sud _cZeitz MOCAA _d2020 |
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215 |
_ccouv.n.b.gris _d21x14.5 |
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330 | _aIgshaan Adams uses found ropes, beads, and fabrics to create tapestries and installations that intertwine the threads of his inquiries into identity and the hybridity of cultures. His work reflects his own experience. Igshaan Adams grew up in South Africa in a community categorized as “coloured” under apartheid. A Muslim raised by Christian grandparents, his works are also inspired by the difficult balance between his faith and his sexual orientation. By incorporating materials and iconographic forms related to Islam and “black culture” in his work, he develops a critical and subtle exploration of the forms of sexual, social, and cultural limitations within the complex context of post-apartheid South African society. ‘Not Working (Working Title)’ is a studio residency, part of Zeitz MOCAA’s ongoing Atelier program. Adams, who works collaboratively and communally to produce increasingly complex and large-scale works, will use the residency to reconsider the pathways and routes of his practice. A starting point for the artist’s intention during his period in the museum, is to re-evaluate his work that presents in different forms, and to re-look at, re-visit and re-work art works that never had the opportunity to be seen outside of the studio. | ||
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_aAdams _bIgshaan _xSouth African Artist _ySouth Africa _yAfrique du sud _913558 |
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_aContemporary Art _xtapestries _xtapisserie _xinstallations _xropes _xcordes _xbeads _xperles _xfabrics _xtissus _xResidency _xRésidence _yAfrique du sud _ySouth Africa _913559 |
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676 | _aBR ADA 2022 | ||
700 |
_4040 _aAdams _bIgshaan _913560 |
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_aTN _b32Bis _cYYYYMMDD _gAFNOR |
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830 | _aABA |