The Funambulist N°16 [Numéro de périodique] / Léopold Lambert : Politics of Space and Bodies. : Politiques de l'espace et des corps. : Proletarian Fortresses
Niveau de l'ensemble: Léopold Lambert, Paris = N°1 (Septembre 2015), The Funambulist, https://thefunambulist.net/, 2402-5895Langue : anglais.Pays : France.Publication : Paris : The Funambulist, Mar–Apr 2018Description : 60 p. : Couv.Ill.Coul. ; 21 x 29.5 ISSN : 2402-5895.Résumé : Proletarian Fortresses is an issue that proposes a resolutely political reading of self-built neighborhoods, appropriated architectures, refugee camps, and worker quarters. Constructed against the humanitarian and romanticizing orientalist narratives, it insists that these urban forms exist in the tension of what they are prevented to be by various embodiment of state violence and what they succeed in being thanks to their residents’ daily resistance. Commissioned contributions take us in São Paulo’s favelas (Jaime A. Alves), Morocco’s self-constructed douars (Soraya El Kahlaoui) and colonial worker quarters (L’Uzine), Palestinian refugee camps in Gaza (Ahmed al Shanti) and the West Bank (Ahmad Alaqra), Hong Kong’s late Kowloon Walled City (Sharon Lam), Lisbon’s Cape Verdian, Angolan, and Gypsy’s bairros (Ana Naomi de Sousa & António Brito Guterres), and Paris’ Roma slums (Henry Shah), while student projects are situated in Amman (Majed Abdulsamad, Jun Seong Ahn, Maria Isabel Carrasco, & Haochen Yang), Aleppo (Aleksander Nowak), and Athens (Ida Helen Skogstad). Lastly, the guest columns bring us news “from the fronts” in the Basque Country (Ula Iruretagoiena & Ibon Salaberria), Dhaka (Parsa Sajid) and Puerto Rico (Marisol LeBrón & Javier Arbona)..Sujet - Nom commun: 28515 | 28516 | 28517 | 28518 | 28519 | 28520Ressources en ligne :Cliquez ici pour consulter en ligne | Cliquez ici pour consulter en ligne Type de document :
Numéro de périodique
| Type de document | Site actuel | Localisation | Cote | Statut | Notes | Date de retour prévue | Code à barres | |
|---|---|---|---|---|---|---|---|---|
Numéro de périodique
|
The 32bis Library | Salle de lecture 32BIS | PER FUN 16 (Parcourir l'étagère(Ouvrir ci-dessous)) | Disponible | Don The Funambulist | 007744 |
Parcourir The 32bis Library les étagères, Localisation : Salle de lecture 32BIS Fermer l'étagère (Fermer la navigation sur l'étagère)
| Pas d'image disponible | Pas d'image disponible | Pas d'image disponible | Pas d'image disponible | Pas d'image disponible | Pas d'image disponible | Pas d'image disponible | ||
| PER FUN 13 The Funambulist N°13 | PER FUN 14 (1) The Funambulist N°14 | PER FUN 15 (1) The Funambulist N°15 | PER FUN 16 The Funambulist N°16 | PER FUN 17 The Funambulist N°17 | PER FUN 18 The Funambulist N°18 | PER FUN 19 The Funambulist N°19 |
Textes en anglais
Bimestriel
Proletarian Fortresses is an issue that proposes a resolutely political reading of self-built neighborhoods, appropriated architectures, refugee camps, and worker quarters. Constructed against the humanitarian and romanticizing orientalist narratives, it insists that these urban forms exist in the tension of what they are prevented to be by various embodiment of state violence and what they succeed in being thanks to their residents’ daily resistance. Commissioned contributions take us in São Paulo’s favelas (Jaime A. Alves), Morocco’s self-constructed douars (Soraya El Kahlaoui) and colonial worker quarters (L’Uzine), Palestinian refugee camps in Gaza (Ahmed al Shanti) and the West Bank (Ahmad Alaqra), Hong Kong’s late Kowloon Walled City (Sharon Lam), Lisbon’s Cape Verdian, Angolan, and Gypsy’s bairros (Ana Naomi de Sousa & António Brito Guterres), and Paris’ Roma slums (Henry Shah), while student projects are situated in Amman (Majed Abdulsamad, Jun Seong Ahn, Maria Isabel Carrasco, & Haochen Yang), Aleppo (Aleksander Nowak), and Athens (Ida Helen Skogstad). Lastly, the guest columns bring us news “from the fronts” in the Basque Country (Ula Iruretagoiena & Ibon Salaberria), Dhaka (Parsa Sajid) and Puerto Rico (Marisol LeBrón & Javier Arbona).
Il n'y a pas de commentaire pour ce titre.